Dawn of the Dance and GreyZone Concerts & Promotion are happy to present you a night of experimental metal noise electronics
Uniform (+Greg Fox of Liturgy) + Wreck and Reference
Wake in Fright, the second full-length by the New York City duo Uniform, is a harrowing exploration of self-medication, painted
in the colors of war. Following the Ghosthouse 12", whose A-side Pitchfork called “their most relentless track yet,” vocalist Michael Berdan and guitarist/producer Ben Greenberg return with a new batch of even more punishing songs that incorporate elements of industrial music, thrash metal, harsh noise, and power electronics.
“This record is primarily about psychic transition,” Berdan explained. “The distress that these songs attempt to illustrate comes from a place of stagnation and monotony. This is what happens when old ways of thinking become exhausted and old ways of coping prove ineffective. Something must change or it will break.”
The characters Berdan brings to life in his lyrics quit using but have ruinous relapses (“Habit”) or struggle as their resolve crumbles (“Bootlicker”); they use alcohol to ease their insomnia but and are helpless when they get sober and stop sleeping again (“Night of Fear”); they’re existential misanthropes trapped in dead-end lives (“The Lost”). While the titles have been largely culled from the world of horror, thematically these songs have more in common with the works of Hubert Selby, Jr than Lucio Fulci. These are stories about people at the end of their proverbial ropes. Their old medicines are no longer effective and their old ways of living cause them nothing but confusion and despair. They are paralyzed by fear, regret, and self-doubt. This is either the darkness before the dawn or eternal night.
Greenberg sets these stories to menacing guitar and samples of literal sounds of war — the kick drums are bombs going off, the snares are gunshots. He drew the record’s immense sample library from action movies, Foley sound packs, field recordings, and more, and the result is devastating. The guitar is also as crucial as ever, and now as indebted Slayer as it is to Big Black. Greenberg conjures up massive riffs and shredding solos, pushing the band deeper into the metal world whose borderlands they’ve long stalked. Where the inner monologues of Berdan’s characters and Greenberg’s martial sonic palette collide, Wake in Fright finds its wrecking-ball power.